Christian Petersen Sculpting Tools by Mindy Moeller

Around Iowa State University campus you will see many works of art created by Christian Petersen.  Petersen emigrated from Denmark to the United States at the age of nine with his family.  At Newark Technical School he learned die-cutting, sculpting designs into metal models, and then in 1920 apprenticed with sculptor Henry Hudson Kitson learning the beaux-arts style used in sculptures honoring war heroes.

After the Great Depression under President Franklin D. Roosevelt the Public Works of Art Project (PWAP) was created for artists to work on strictly supervised projects for the American Public and he was invited by Grant Wood to come to Iowa State College and worked on two funded projects, the murals for the college library and a fountain for the Dairy Industry Building.  Petersen was Iowa’s PWAP only professional sculptor and was able to make his assignment into permanent employment.  Petersen became one of the best Regionalist artists with works from the 1930s and 1940s embracing the Midwest culture and history.  Christian Petersen was the nation’s first permanent campus artist-in-residence at Iowa State College and taught classes from 1934 through to his retirement in 1955.

Recently I received three archival boxes with Christian Petersen’s sculpting tools and needed to construct one box to house all items.  Chisels, a wooden mallet, a vase, a magnifier, and several Italian Caselli sculpting tools were the items Petersen used to create his sculptures.  I have my own set of Caselli tools I use in fine work at the Preservation Lab but they are nothing compared to the master’s tools.  I constructed a light weight box using corrugated blue board with trays at different levels.

Today Morrill Hall’s Christian Petersen Art Museum houses his works of art, which can also be found all across the Iowa State University campus.

 

Happy Holidays!

The end of the year is nearing and things are winding down – oh wait – are they really? For some maybe but for others it is the end of the year push trying to meet deadlines and wrapping things up before the holidays.

How are we wrapping up the year in the ISU Preservation Lab?

Mindy Mc.: Assessing (and removing staples) collections to digitize and wrapping up 2 digital projects.

Mindy Mo.: Getting caught up on general collections repair.

Jim: Making LOTS of wedges and mounts for an upcoming exhibit.

Sonya: Working on the constant flow of Special Collections items coming through the lab.

 

And finally we want to wish Drew well on his graduation! We have had the privilege of having him as a student employee for 3 years! He has had many duties with us and really got to experience preservation as a whole – from working on book repair, doing marking & binding, and working on digitizing numerous collections. We will miss you Drew!

 

From all of us here at the ISU Preservation Lab – Happy Holidays!

 

 

 

1827 General Geddes Sword

Since I have been working more on artifact rehousing, some of the items I receive are very interesting pieces and I like to do a little investigating on them while making new enclosures.  Recently the 1827 General Geddes Sword  came into my hands looking for a new enclosure.

James Lorraine Geddes was born in Edinburgh, Scotland on March 19, 1827 and migrated to Canada in 1837 then returning to Scotland in 1843.  After studying at the British military academy in India and serving he was awarded the title Colonel of the Canadian cavalry.  From there he moved to Vinton, Iowa to farm and teach at a country school.  Upon the start of the Civil War he resigned from school to become a Private (1861) in Company D of the Iowa 8th Infantry the after several promotions to Brevet Brigadier General (1865).  Geddes was a prisoner of the Confederate Army and after release went to Mississippi and Texas then landing in Memphis, Tennessee as he became Provost-Marshall until he resigned from service on June 30, 1865.

Geddes returned to Vinton to become Superintendent of the Iowa Institution for the Education of the Blind (1867-1868) then ventured to Iowa Agricultural College (later Iowa State University) as Steward (1870-1882)  and Professor (1871-1883) of Military Tactics and Engineering.  During his time on campus Geddes also served as Acting President (1877-1878), Treasurer (1880-1883), and Treasurer, Records, and Land Agent (1885-1887) until his death February 21, 1887.  Geddes served this university and country well and was respected by many.

Below is General Geddes’ 1827 Sword in its new housing enclosure cradled in protective Volara and now resides in the Special Collections and University Archives at the Parks Library at Iowa State University.

 

Internship Highlights (by Emilie Duncan, Lennox Intern 2017)

My two short months as the 2017 Lennox intern in the preservation lab have quickly come to an end! Even though it feels like I just started yesterday, I have had the opportunity to participate in so many projects in the lab which allowed me to stretch myself and exercise skills in many different areas. Here are a couple of the highlights:

One of my treatment projects was working on two WWI photographs with major losses.

For reference I used Victoria Binder’s article in Topics in Photographic Preservation entitled ‘Digital Fills for Photographs with Glossy Surfaces’

Ex-servicemen working on engines, before and after treatmentThese two silver gelatin photographs showing ISU’s part in post-war rehabilitation of WWI veterans were selected as part of a group of objects which will be shown in an upcoming exhibit by Special Collections/University Archives. Since the photographs will be on display, the large losses to the image area were determined to be distracting for the overall interpretation. I used Adobe Photoshop and a digital image of the photograph to create a fill for each loss that matched the surrounding image area.

Beekeeping, before and after treatment

Each fill was then printed out on glossy photo paper, which gave it a shiny finish that matched the original photograph nearly perfectly, a feature that is very difficult to reproduce manually with traditional materials. Another great feature of creating fills this way is that the color and exposure can be manipulated quickly and easily to match the original photograph exactly, cutting out a lengthy inpainting and color-matching process. One thing to be careful of while making digital fills, which was discussed at length with the curator beforehand, is that the recreation of lost information can easily go too far, verging on suggesting imagery that may not have existed. Therefore, the fills are very nondescript, focusing on light-dark contrast and overall texture instead of completion of objects or figures.

Another great blog post, “Digital Fills to the Rescue” by Rachel Pennimen, can be found on Duke University Libraries blog Preservation Underground.

Throughout my time here Sonya was working on updating the library-wide disaster response and recovery plan. These plans are a crucial part of the institutional planning, and can help significantly reduce response time and overall damage to the collections in the case of an emergency such as a flood or fire. I helped with the updating process by making sure vendor contact information was current, filling in missing sections, and sifting through extant and potential format options to pull useful information and organization ideas and put them together into a streamlined, yet thorough, plan.

Sonya and archivist Laura Sullivan recording information about priority collections in the stacks

One step toward a helpful disaster plan is identifying collection priorities, both in terms of value and sensitivity. To this end, Sonya and I did walkthroughs of Special Collections stacks with the curators to pick out certain items or collections that were especially important to the University. Knowing this information and the inherent sensitivity of the materials in the stacks can help pinpoint objects that should be salvaged first in the event of an emergency. This project taught me a lot about how disaster plans are actually built and are meant to function within a large institution like ISU Library.

My time at ISU was  busy! But I am so happy with all that I learned and accomplished over these two months, and know I will put that experience to good use in my upcoming projects!

 

It’s football season! (by Emilie Duncan, Lennox Intern 2017)

This program for the ISU vs. University of Minnesota football game, held on October 24, 1896, has seen better days. After being used as a scorecard, presumably by a fan who attended the game, rolled up (possibly by the same nervous fan), nibbled on by insects, and hastily put back together with two separate campaigns of pressure-sensitive tape, this object has finally arrived at the Preservation Lab for treatment prior to digitization.

Back cover with notations

The treatment involves removing the tape holding the covers and leaves together and then reassembling the fragments and mending with tissue and wheat starch paste. The tape removal has been tricky so far, accounting for the majority of the treatment hours. Since there are two different types of tape, the ideal method for removing the carrier and reducing the adhesive residue has to be found separately for each kind.

Removing the plastic tape carrier with a heated spatula.

The plastic carrier is removed using heat (or peeled straight off, if the adhesive is degraded enough), and then the remaining adhesive is removed from the surface of the paper using a combination of erasers, heat, and mechanical reduction using a scalpel blade. In some cases, the staining from the tape adhesive can be removed with solvents. For this archival object, however, the aesthetic outcome of the treatment is less important than the physical stabilization, and the staining will be left untreated.

Emilie working on a few pages at a time

It was hoped that the booklet could be reassembled after mending, but it appears the individual leaves are too fragile for that level of manipulation and will be individually encapsulated in polyester sleeves.

Encapsulated pages in a 4-flap enclosure

This program is one of hundreds in the University Archives’ ISU Dept. of Athletics Football collection that have been digitized for public viewing online. Early films of ISU football games will be showcased at a tailgating event, hosted by Special Collections and University Archives at the November 11^th football game with Oklahoma State. Visitors to the library’s tent will be able to view objects from the collections, such as football programs from years past, banners, buttons, commemorative beanie hats and early photographs and learn more about the history of the University and the Athletic Department.

During treatment: group photo of the 1896 team from the football program

From the University Archives: image of the 1895 football team

 

 

Telling their story

In September, the Preservation Lab participated in a day-long workshop for 4-H youth in grades 8-12 from minority communities across Iowa.

4-H’ers participating in Ujima. Photo credit: J.P. Chaisson-Cardenas

The day that the kids spent at the ISU library was a part of a 3 day retreat called Ujima and AAPI (Asian American Pacific Islander). The kids who come to these retreats are African, African American and Asian American. The event was developed by the Culturally Based Youth Leadership Accelerator Program (CYLA).   The purpose of the initiative is to encourage underrepresented and underserved youth to become part of their local 4-H learning communities, drawing upon their cultural strengths, knowledge and narratives.  The library partnered with ISU’s Extension and Outreach in order to be able to reach this audience of 4-H students.

Participants were welcomed at ISU State Gym before breaking up into groups and scattering across campus. Photo courtesy of Extension and Outreach, 4-H, CYLA

The partnership has been of great benefit to the library because the university’s 4-H program provides the infrastructure that is necessary to be able to bring dozens of kids from communities across Iowa to the university campus. They stay at the Clover Woods camp center outside of town, where the majority of their activities take place.

The youth spend the first day of the retreat  on the ISU campus, participating in workshops that are offered by different university departments. This year the library was one of the sites that they could pick from.  ISU’s Extension and Outreach 4-H Office  took care of all the complicated logistics, all we had to do was prepare awesome, memorable workshops and be ready for a day full of exciting high energy interaction with our audience.

Co-teaching one of the groups at the Preservation lab. Sonya Barron and Emilie Duncan, our Lennox Preservation Intern.

During their day at the library the students participated in 3 different workshops. And yes, we definitely provided plentiful lunch and snacks! Three departments within the Curation Services division created hands-on teaching sessions united by one theme: Telling Your Story. The inspiration for the theme came from observing and acknowledging that minority individuals are extremely underrepresented in professions engaged with cultural heritage. Most often, minority communities have their stories told by people who are not a part of that community and may not understand their experiences or have a similar perspective on their history. In our workshops we wanted to champion the idea that the students had a part to play in telling their story and the stories of their family and community.

Rosie Rowe, AV Preservation Specialist, explaining how to use an iPad to record a storyteller’s voice

Our AV Preservation Specialist, Rosie Rowe, taught the students how to record each other’s voices on an iPad app, StoryCorps-style. Most of the kids were willing to share a story about themselves and their families. In some cases English language skills presented a barrier. Most of the young people in this group had spent a significant amount of time in refugee camps and had been through difficult traumatic events. Their stories were powerful. At the end the day the students got to take their recorded story home on a USB jump drive.

Practicing detective skills: looking at original documents from special collections.

At Special Collections and University Archives they worked on piecing together a real life story by examining  original documents from the library’s rare collections. Each person in the group only had information about one part of the story. How these fragments fit together was revealed only at the end of the session, when everyone shared what they discovered.

5 pamphlets sewn into a 10pt wrapper

Different colors for sewing

At the Preservation lab the participants got to try their hand at making their very own memory book/scrapbook. They selected colors of thread to sew a simple non-adhesive structure using attractive archival-quality materials. For all of them, this was the first time they had made a book. Although there was some frustration involved, there was a lot more enjoyment and pride of accomplishment.

This student said that he surprised himself. He didn’t know he could make a book.

This student was very proud of her finished product

I think that exploring the behind-the-scenes parts of the library was eye-opening for many of the youth. The conventional image of a librarian is a person sitting at a desk with a computer, helping people find books. The students were surprised that librarians could also be teachers, history detectives, recorders of others’ voices and could work with old books and historical documents.

On a personal level, I also made some discoveries:

1. I got a glimpse into the depth of experience that the students possessed because they were willing to share their stories. I felt lucky to be there and was filled with respect for them.
2. Phew, teaching is hard! I take my hat off to all good teachers out there. We really need to show our children’s teachers that we value their work. How about a bigger salary to start with?

 

Are You Ready for Some Football?

Football is a historic tradition at Iowa State and I recently finished a project scanning football programs that range from the early 1900s to the 2010s.

I was able to use our new book edge scanner that made scanning the bound programs easy and gave us a great image. It was been an enjoyable project to see the evolution of these programs over time. From the type of paper used to make the program to the graphic design of the program, many things have changed in football programs over the last 80 years or so. There’s a lot of information shown in these programs beyond just football. While I did get to observe changes in coaching staff and players in the football programs, I also observed a lot of the growth on Iowa State’s campus. By digitizing these programs, I hope that others will be able to observe and appreciate these changes as well. Digitizing these programs is important because there may come a day where programs only exist in the digital form. If paper copies no longer exist, the physical copies we have from the past will become a rare item that will have preserved the information presented in them as well as the traditions they represent at Iowa State.